Jurisprudencia y Ciencias Sociales

URI permanente para esta comunidadhttp://repositorio.uta.edu.ec/handle/123456789/892

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Tipo de acceso: Acceso abiertoTema: search.filters.subject.LATINOAMERICA

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  • Miniatura
    Item type:Ítem,
    Análisis de las narrativas melodramáticas en las películas ecuatorianas “Crónicas” y “A tus espaldas
    (Universidad Técnica de Ambato,Facultad de Jurisprudencia y Ciencias Sociales, Carrera de Comunicación Social, 2022-03)
    Chávez Rodríguez, Leslie Odalis
    ;
    Viteri Chavez, Walter Francisco
    Although for many melodrama is a media genre that does not carry much weight, for others it is present in each of the cultural industries, since it allows knowing the reality that people live through the narration of political, social and cultural discourses, interfering In his tales of the otherness that is part of the popular group excluded by the elite, the marginalized take on the leading role on stage and constitute themselves as a fundamental part of the history of a nation. The melodrama, through its stories in the cultural industries, incorporates a number of problems and solutions that thousands of people live in everyday life, so this research work focuses on analyzing the melodramatic discourse as the main exponent of the social context of Latin America, this occurs through the qualitative methodology focused on the analysis of the cinematographic narratives of the Ecuadorian films "Crónicas" and "A tus Espaldas". The melodramatic matrices divided into the individual and collective order were the essential instrument for the breakdown of the themes exposed in the plot that are linked to modernity, so that the viewers get soaked, have fun and even shed tears with many stories that they present cinema, theater and novels, since they identify with the plot and appropriate each character, for which Latin America forged its cinematographic bases in melodrama, elaborating productions that have this narrative as their regulating axis.
  • Miniatura
    Item type:Ítem,
    Viéndote a los ojos amorcito mío, el discurso melodramático en la película “El Secreto de sus ojos
    (Universidad Técnica de Ambato,Facultad de Jurisprudencia y Ciencias Sociales, Carrera de Comunicación Social, 2022-03)
    Jiménez Garcés, Ruth Carolina
    ;
    Brito Alvarado, Xavier Leonardo
    This research deals with the topic: “LOOKING YOU IN THE EYES, MY LOVE, THE MELODRAMATIC SPEECH IN THE MOVIE “THE SECRET IN THEIR EYES””, for which a bibliographic review was approached from communication, consolidating some fundamental concepts about melodrama, cinema, cinematographic melodramatic story, identities and modernity. The methodology used was taken from melodramatic analysis matrices: registration, relationship and discourse of melodrama, to understand and explain the possible relationships and correspondences between the melodramatic contexts and the individuals represented in the Oscar-winning Argentine film. “The secret in their eyes” (2009). The thesis is divided into: Chapter I, presents the theoretical framework, aimed at strengthening and theoretical intersection on the proposed topic; Chapter II, which describes that the methodology used is qualitative and how it has been developed; Chapter III, which exposes the analysis and discussion of the results obtained with the application of methodology and the verification of the hypothesis or research question; and, Chapter IV, which shows the conclusions of this research work. The history of Latin America can be counted through from the melodrama, because its experiences have been recorded in literature, radio, cinema and television, being able to understand more widely the formation of the social and historical aspects and the cultural identity of the entire region and how love has been used to build stories as a strategy to touch sentimentality generating cultural disputes. In this way, it can be verified how the melodrama has conditioned the behavior of the population, which is expressed in movies, novels, music, poetry, politics, among others, educating sentimentally on how is the correct way in which one must feel and act in relationships of love, envy, betrayal and excess, building imaginaries of symbolic subjectivities.