Jurisprudencia y Ciencias Sociales

URI permanente para esta comunidadhttp://repositorio.uta.edu.ec/handle/123456789/892

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2018 - 201912020 - 20242

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Tipo de acceso: Acceso abiertoTema: search.filters.subject.ARTE

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Mostrando 1 - 3 de 3
  • Miniatura
    Item type:Ítem,
    Performance Drag Queen: El arte como escenario político
    (Universidad Tècnica de Ambato, Facultad de Jurisprudencia y Ciencias Sociales, Carrera de Comunicaciòn, 2024-08)
    Guevara Freire, Karen Mishell
    ;
    Brito Alvarado, Leonardo Xavier
    Currently, the concept of art has been diluted by multiple discourses of contemporary thought such as postmodernity, virtuality and technological advances, creating confusion about what art is. This has led to superficial imitations, falling into discourses of banality of the modern world. It is crucial to retake art as an artistic and political manifestation, its original definition. Art is not only a space where aesthetics of the beautiful, the ugly, the sublime or the abstract converge, but also a political space. This research highlights the need for an interdisciplinary dialogue in the Social Sciences, where thoughts about gender, subject, body vindication and communication converge, moving away from punitive and reductionist views that generate oppression and discrimination. This topic is relevant for the communicational debate and to open the dialogue on historically invisible scenarios. The methodological approach of the research is divided into two moments. The first is a theoretical and bibliographical tour to discuss the categories and concepts present, such as art, drag, performance and theater. This in order to build a solid epistemic route to reflect from communication on scenarios made invisible by historical, social and political conjunctures. In the second moment, a semiotic analysis of the performance presented by Larvarye during the "Dragada Por La Diversidad" is developed. In addition, interviews are conducted to obtain a greater wealth of information and to understand how drag art uses various elements to convey ideas. Queer and feminist theories question gender binarity and sexual norms, promoting the recognition of diverse identities as human rights. Semiotic analysis and interviews reveal that drag performance uses symbols to rethink and challenge social norms, becoming a tool for critical reflection and social transformation. Drag art is a testimony of resistance that addresses social, political and cultural issues, turning the body into a space of resistance and collective memory. Drag performance, as "artivism", opens a dialogue on inclusivity, social justice and rights, promoting greater empathy and understanding
  • Miniatura
    Item type:Ítem,
    Impacto mediático del covid-19 en el sector artístico musical de la ciudad de Ambato
    (Universidad Técnica de Ambato, Facultad de Jurisprudencia y Ciencias Sociales, Carrera de Comunicación Social, 2021-10)
    Lippke Zurita, Lenin Fabricio von
    ;
    Naranjo Gamboa, Byron Orlando
    The pandemic caused by the Covid-19 virus has caused short and long-term havoc in all labor sectors around the world, so that people and society in general have been affected in its social, private, and social work life. The labor part that was previously mentioned is of great importance. Since all labor sectors were affected, having to postpone activities o adapt a new work modality in order to continue. Of all of the sectors affected, the musical artistic sector was the most affected by the situation of the pandemic, forcing those who live and work in this field to completely stop their activities without any contingency plan or possible support to be able to maintain their rhythm of life during the course of 2020. In the investigation that carried out on the media impact of Covid-19 in the musical artist sector of the city of Ambato, it was determined that many of the participants lost their economic activity, forcing them to rethink activities outside their occupational field in order to maintain their subsistence and economic fluidity due to the restrictions issued by the advance of the pandemic. The participation of the artists was key to determine how much the pandemic affected them during the days of confinement and also being able to know the activities they carried out in order to recover their economy and thus stay afloat in the course of 2020-2021.
  • Miniatura
    Item type:Ítem,
    Los prejuicios en cuanto a la expresión artística del graffiti en la ciudad de Latacunga
    (Universidad Técnica de Ambato, Facultad de Jurisprudencia y Ciencias Sociales, Posgrado, Maestría en Antropología y medios digitales, 2018-08)
    Molina Sáenz, Diana Nataly
    ;
    Jiménez Sánchez, Alvaro
    The purpose of this research is to expose the aesthetic part of grafiti as well as to give knowledge through visual communication what the urban writer expresses, and as the activity they perform is still considered an act of vandalism. This type of cultural expression and its content has been stigmatized by society because it is considered an activity charged with negative aspects and that does not contribute to the development of a population these criteria are based on how grafiti emerged For it was created with the purpose of communicating disagreements, inequalities and even injustices of a society reason why it is related as with the rebellion and the vandalism being an illegal activity. As a result of this research we have that this art gives the possibility to urban artists that through grafiti can generate a variety of concepts because the creativity of these people plays a very important role when communicating. The majority of grafitis exist a story to tell in relation to feelings, thoughts, disagreements contributions among other aspects that had the urban artist that moment, as well as the legacy of this expression will represent the social context to through art, however, part of the Latacungas´ Society still has prejudices on this subject that has not been understood as art but as an act of vandalism.