Diseño y Arquitectura

URI permanente para esta comunidadhttp://repositorio.uta.edu.ec/handle/123456789/7522

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Análisis de los cánones proporcionales femeninos para la implementación en la ilustración de moda: Caso de corporalidades gestantes
(UNIVERSIDAD TÉCNICA DE AMBATO; FACULTAD DE DISEÑO Y ARQUITECTURA; CARRERA DE DISEÑO TEXTIL E INDUMENTARIA, 2026-01-20)
Paucar Arellano Steven Joel
;
Escobar Guanoluisa Taña Elizabeth
;
UNIVERSIDAD TÉCNICA DE AMBATO; FACULTAD DE DISEÑO Y ARQUITECTURA; CARRERA DE DISEÑO TEXTIL E INDUMENTARIA
Fashion illustration has undergone substantial transformations, marked by a continuous pursuit of greater representativeness and morphological accuracy. In previous stages, traditional canons relied on idealized figures that excluded diverse bodily variations, limiting their applicability within inclusive design processes. Currently, the field incorporates perspectives that acknowledge the need to depict real corporeal variations, particularly those of pregnant bodies, whose anatomical behavior requires rigorous technical study. This study focuses on analyzing female proportional canons for their implementation in fashion illustration, emphasizing the morphological factors that affect the representation of gestational corporalities. This analysis is relevant because the anatomical modifications associated with pregnancy demand specific graphic resources that ensure clarity, structural coherence, and visual precision. To address this issue, a qualitative research approach with a documentary–bibliographic modality is developed, complemented by fieldwork. In-depth interviews are conducted with obstetric professionals and designers, along with surveys directed at pregnant users, as well as observation sheets that record the historical evolution of the gestational figurine. As a result, distinctive morphological patterns were identified, allowing for adjustments to proportional canons and enhancing representation in fashion illustration. In this process, the Morpho-S technique, used as a training method, facilitated the understanding of curves, axes, and anatomical transitions through the modulable use of the “S” line. Its application enabled the construction of more coherent figurines adapted to diverse body types, strengthening the development of inclusive and functional proposals within contemporary design practice.
Experimentación con pigmentos frutales de la Región Sierra para la aplicación en técnicas de ilustración de moda sostenible”
(2025-02)
Escobar Vera, Milena Lizbeth
;
Escobar Guanoluisa, Taña Elizabeth
Esta investigación se centra en la experimentación con pigmentos frutales provenientes de la zona tres de la región Sierra del Ecuador, explorando su aplicación en técnicas de ilustración de moda sostenible. Este proyecto surge con el propósito de promover el uso de materiales naturales y sostenibles, resaltando las propiedades de los pigmentos naturales como una alternativa innovadora dentro del ámbito del diseño. A través de un proceso sistemático, se demostró la viabilidad de estos pigmentos, su potencial estético y artístico dentro del campo de la ilustración de moda. El presente proyecto se desarrolló en tres etapas fundamentales. Se realizó un estudio detallado de tres documentos especializados en tintes naturales. Este análisis permitió comprender las características químicas y estéticas de los pigmentos de origen natural, así como también sus aplicaciones tradicionales, estableciendo las bases teóricas sobre este tema. Dentro de la segunda etapa, se llevó a cabo la extracción y preparación de los pigmentos a partir de frutas seleccionadas de la zona tres de la región Sierra, la cual comprende las provincias de Tungurahua, Cotopaxi y Chimborazo. Mediante la etapa experimental, se evaluó el comportamiento de cada pigmento sometido a modificadores de color como vinagre y bicarbonato, la reacción sobre soportes de papel y se registró los resultados como la intensidad, durabilidad y versatilidad de cada pigmento. Finalmente, se diseñó un catálogo que reúne de forma visual y organizada los resultados obtenidos, mostrando los pigmentos frutales integrados en técnicas de ilustración de moda. Este catálogo busca servir como una herramienta práctica para ilustradores, artistas y diseñadores de moda interesados en explorar alternativas sostenibles en sus trabajos creativos.
Ilustración de la indumentaria de los principales personajes de la Octava de Corpus Cristi de Pujilí
(Universidad Técnica de Ambato. Facultad de Diseño y Arquitectura. Carrera de Diseño de Modas, 2021-02-10)
Panchi Olivo, Karen Nicole
;
Suárez Abril, Eduardo Santiago
Ecuador is the owner of a circuit of popular demonstrations that partly expresses the cultural baggage of the native peoples. The Octave of the Corpus Christi de Pujilí is part of that cultural heritage declared intangible heritage of the nation in 2001, a sumptuous festival that has jealously guards intrinsic values of the pujilian people combined in a cultural syncretism with manifestations and sacred elements of the worldview of the Catholic world. Demonstration that motivated to deploy a study, deepening in regards to the central socio-cultural components of the celebration. The study “Illustration of the clothing of the main characters of the Octave of Corpus Christi de Pujilí”, essentially results from the empirical and incomplete graphic evidence of the characters (alcalde, prioste, oficial tamborero-pingullero, mama danza y danzante) of the traditional festival, also affecting the ignorance of the symbolic meaning of the character and his wardrobe. Therefore, fashion illustration must be the tool that helps in the illustrated representation of the five popular characters and their respective typical costumes, for which, it was necessary to raise the historical evolution of the aesthetic, technical characteristics (production, materials) and symbolic. Study that will finally be registered in an illustrated catalog, with the contributions provided by one of the country's heritage issues. The study is characterized by being qualitative, which is why the methodology used is field and documentary-bibliographic. The exploratory study agreed to collect deep and pertinent information through methods such as: participatory observation, interview and illustrative elements (photographs, illustrations, paintings) of the cultural suits. As well as, from the epistemological dimension it allowed to contrast and overcome the empirical data of the preceding and the most current version of the typical costumes. The illustrative elements collected and their respective analysis is the preamble to generate illustrations of the selected characters, making use of the expression techniques that were studied in the “fashion illustration” section
Personajes de la fiesta popular de la Mama Negra y su representación en la Ilustración de moda
(Universidad Técnica de Ambato. Facultad de Diseño y Arquitectura. Carrera de Diseño de Modas., 2020)
López Defaz, Gloria Fernanda
;
López Barrionuevo, Nancy Margarita
The Mama Negra popular festival of the Latacunga City, which is celebrated in the months of September and November of each year, is declared as Intangible Heritage of Ecuador in 2005. It represents a tribute to Las Mercedes Virgin, protector of the city against the threat of the Cotopaxi Volcano. The present research project appears from the designers’ lack of interest in the illustrations of costumes of popular characters. This is due to the scarce knowledge of the meaning of popular festivals. Therefore, it is proposed the creation of the fashion illustration catalogue that is based on the observation of the main characters of the party, possessors of a rich costume in cultural identity. The research methodology is qualitative since a wide field research is performed, using methods such us interview, observation and photographs of costumes. It is also used the documentary-bibliographic research. These will allow to understand better the popular clothing. Then, the analysis of clothing files is made to generate graphic representations of the characters, which permits to set the creative process of the design through a fashion model, with the use of own costume illustration techniques. Finally, it is presented a fashion illustration catalogue of the costumes of main characters of Mama Negra popular party, achieving to expand and revalue the cultural memory.
Ilustración de trajes de los pueblos indígenas del Ecuador, Zona 3 Sierra
(Universidad Técnica de Ambato. Facultad de Diseño y Arquitectura. Carrera de Diseño de Modas., 2020-01)
Romero Núñez, Isabel Cristina
;
Escobar Guanoluisa, Taña Elizabeth
This subject of study exposes the meager illustration of regional costumes of the indigenous peoples of Ecuador and their impact on the communication of clothing elements. The objective reached is to represent, through fashion illustration, the regional costumes of the indigenous peoples of Zone 3 - Sierra, for which it was necessary to identify the costumes, analyze the clothing elements, and finally, develop a catalog of illustrations. The methodology used is given by the field and bibliographic research, which allowed the exploratory and descriptive research. With reference to the first research method, they were applied: an ethnographic study, survey, and autopsy of product for the study of peoples and their clothing, through these the characteristic attires of contemporary peoples are described, highlighting the morphological differences and of clothing in both men and women. This project contributes to fashion illustration with communication techniques and resources, promotes the communication of indigenous regional costumes using the resource of fashion illustration as the main element, and provides a real look at the garments.
La ilustración: El figurín de moda y el diseño inclusivo
(Universidad Técnica de Ambato. Facultad de Diseño, Artes y Arquitectura. Carrera de Diseño de Modas., 2019-08)
Saltos Urbina, Simonne Maité
;
Suárez Abril, Santiago Eduardo
This investigation has as characteristic to correct the needs of clothing for people with disabilities of upper and lower limbs, as well as quadriplegia and paraplegia, through the representation of an real canon represented in a fashion figurine, the objective of this research is it focuses on determining the morphological characteristics of people with physical disabilities in the city of Ambato for the establishment of fees within the inclusive design through the illustration of a fashion figurine; The research methodology that was applied was descriptive, exploratory and correlational, because it allowed us to analyze how the illustration helps to design or represent the design, therefore it facilitates establishing the type of contribution of fashion illustration in designs aimed at people with disabilities Among the main findings that were obtained are that within the needs of people with disabilities in relation to fashion design, a standard canon such as 7 or 8 heads is suggested; considering the physical and aesthetic characteristics of people with disabilities, as well as the posture and frontal and lateral illustration; the disabilities considered are amputations of upper and lower limbs, as well as paraplegia and quadriplegia; Among the upper limb amputations, wrist disarticulation, transhumeral amputation, and elbow disarticulation; in the lower extremities knee and hip disarticulation, transfemoral and transtibial amputations are frequent; The fashion figurine illustration integrating the inclusive canon design used a catalog that illustrates the figurines under different characteristics of people with disabilities.

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