Diseño y Arquitectura

URI permanente para esta comunidadhttp://repositorio.uta.edu.ec/handle/123456789/7522

Examinar

Filtros

2021 - 20262

Ajustes

Tema: search.filters.subject.FIESTA POPULAR

Resultados de la búsqueda

Mostrando 1 - 2 de 2
  • Miniatura
    Item type:Ítem,
    Análisis identitario de la vestimenta de la Guaricha en la Fiesta Popular: La Diablada Pillareña
    (UNIVERSIDAD TÉCNICA DE AMBATO; FACULTAD DE DISEÑO Y ARQUITECTURA CARRERA DE DISEÑO TEXTIL E INDUMENTARIA, 2026-07-06)
    Sánchez Hidalgo Dennis Ariel
    ;
    Varela Gallegos Sandra Catalina
    ;
    UNIVERSIDAD TÉCNICA DE AMBATO; FACULTAD DE DISEÑO Y ARQUITECTURA CARRERA DE DISEÑO TEXTIL E INDUMENTARIA
    This research focuses on the identity analysis of the Guaricha's attire within the Diablada Pillareña, a cultural expression recognized as intangible cultural heritage of Ecuador and considered one of the most representative festive expressions of the Píllaro canton. The study is based on the premise that clothing transcends its aesthetic function to become a symbolic system capable of communicating values, beliefs, identities, and cultural meanings that strengthen collective memory and the community's sense of belonging. From a theoretical perspective, the research addresses the relationship between the cultural context of the Diablada Pillareña and the construction of collective identities, analyzing how the Guaricha's attire reflects processes of tradition, cultural transformation, and hybridization between inherited and contemporary elements. Likewise, the Guaricha is examined as a festive character who, through her clothing, expresses symbolic representations linked to femininity, transgression, satire, and social critique, revealing tensions related to gender roles and current sociocultural dynamics. The study considers the Guaricha's attire as the independent variable, addressing aspects related to its components, main garments, accessories, materials, tailoring techniques, formal elements, functions, and symbolic meanings. The dependent variable, in turn, corresponds to the cultural significance, analyzed through symbolic and social dimensions that allow for an understanding of the interpretation of signs, cultural values, symbolic representation, cultural identity, sense of belonging, social interaction, and the role this character plays within the festival. The theoretical foundations are based on contributions from authors such as Geertz, Hall, García Canclini, Barthes, Turner, Entwistle, and Bourdieu, who allow us to understand clothing as a visual language and a dynamic cultural manifestation. From this perspective, the research recognizes that the meanings associated with the Guaricha's attire are neither static nor homogeneous, but rather are constantly being reinterpreted due to social, cultural, heritage, and tourism-related factors. Finally, the research seeks to contribute to the understanding of the cultural and identity value of the Guaricha's clothing, highlighting its importance as an element of collective representation, cultural heritage, and a means of symbolic expression within the Diablada Pillareña. It also aims to contribute to strengthening local historical memory and generate academic knowledge that allows for a critical evaluation of the processes of conservation, transformation, and transmission of this cultural manifestation in contemporary society.
  • Miniatura
    Item type:Ítem,
    Indumentaria de la Mama Negra: un recorrido histórico cultural del año 2005 al año 2018
    (Universidad Técnica de Ambato. Facultad de Diseño y Arquitectura. Carrera de Diseño de Modas, 2021-02-10)
    Aguilar Tipantuña, Lizbeth Karolina
    ;
    Sánchez Sailema, Erika Catalina
    A Black Mother in the Andes? There is no satisfactory explanation for the presence of a black character in Andean folklore; the Mama Negra mounted on a horse, wears the peasant dress of the sierra: shawls, embroidered shirts, ruffles and skirt. The black fase and plump-cheeked, lively eyes and smiling mouth. With his hands makes a singular black doll dance, while drenches viewers with a splash of milk and water mixed. La Mama Negra being a lavish party has been considered in several cases as an object of study, having the party as a center directed in different educational aspects, leaving aside the clothing systems which constitutes a negative aspect for the identity of the province. The purpose of this research is to analyze the clothing of the main character of this party It also seeks to meet the objectives set through the conference of written and visual sources, using the methodology that responds to an investigation on the design, under a qualitative approach, narrative and historical in nature, the basic modalities of field and bibliographic research, population and sample; the same data that will finally serve as background information for the proposal in this case making a visual file of the Mama Negra costume through an analysis of real data and photographs that support it in a positive way. In order to keep the meaning and clothing identity alive in society and contribute to the history of Ecuadorian costumes from different communities.