Diseño y Arquitectura

URI permanente para esta comunidadhttp://repositorio.uta.edu.ec/handle/123456789/7522

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Técnicas de patronaje cero residuos para prendas básicas masculinas en denim: Una exploración proyectual regenerativa en el diseño de indumentaria
(UNIVERSIDAD TÉCNICA DE AMBATO; FACULTAD DE DISEÑO Y ARQUITECTURA; CARRERA DE DISEÑO TEXTIL E INDUMENTARIA, 2026-01-20)
Masaquiza Villacres Alex David
;
Escobar Guanoluisa Taña Elizabeth
;
UNIVERSIDAD TÉCNICA DE AMBATO; FACULTAD DE DISEÑO Y ARQUITECTURA; CARRERA DE DISEÑO TEXTIL E INDUMENTARIA
Questa tesi sviluppa un metodo di modellistica a spreco zero applicato alla progettazione di capi basici in denim da uomo, con l'obiettivo di promuovere pratiche rigenerative e responsabili all'interno dell'industria tessile e dell'abbigliamento. Partendo dal riconoscimento dei problemi ambientali associati agli scarti tessili e dal potenziale del denim come materiale altamente durevole e versatile, viene proposta un'esplorazione progettuale che integra principi di circolarità, rigenerazione ed efficienza dei materiali nella costruzione dei modelli. Lo studio si basa sull'analisi strutturale e morfologica di capi essenziali dell'abbigliamento maschile – t-shirt, camicia e pantaloni – al fine di comprenderne le caratteristiche formali, le aree di maggiore consumo tessile e le opportunità di riprogettazione secondo criteri di ottimizzazione e riduzione degli sprechi. Per la proposta metodologica, viene sviluppato il Metodo dei Tre Scenari Zero, un modello di progettazione che articola strategie di Modellistica a Spreco Zero, design rigenerativo e pensiero sistemico. In questo modo, vengono implementati due metodi di modellistica; Lo studio esplora due approcci: il metodo denim zero a lunghezza intera e il metodo denim zero geometrico. Ogni approccio considera decisioni di modellistica, progettazione geometrica e assemblaggio che massimizzano l'uso della superficie tessile, riducono i processi inquinanti e generano nuove morfologie praticabili per il mercato del jeanswear. Il metodo è convalidato attraverso prototipi di denim, accompagnati da test di vestibilità e analisi dell'efficienza dei materiali, dimostrando risultati favorevoli in termini tecnici, estetici e funzionali. Lo studio conclude che è possibile implementare processi di modellistica a spreco zero nei capi basic maschili senza comprometterne l'ergonomia, l'identità visiva o le prestazioni, aprendo così una strada praticabile verso la transizione rigenerativa del settore.
Diseño de vestuario escénico para danza contemporánea dirigido al elenco dancístico JATUN TAKIRI
(UNIVERSIDAD TÉCNICA DE AMBATO FACULTAD DE DISEÑO Y ARQUITECTURA CARRERA DE DISEÑO TEXTIL E INDUMENTARIA, 2025-07-28)
Pérez Acosta Miriam Daniela
;
Guamán Llamuca Carlos Alberto
;
UNIVERSIDAD TÉCNICA DE AMBATO FACULTAD DE DISEÑO Y ARQUITECTURA CARRERA DE DISEÑO TEXTIL E INDUMENTARIA
This project focuses on the design of stage costumes for contemporary dance, aimed at the Jatun Takiri cast from Ambato, Ecuador. The research phase starts from the global importance of contemporary dance and the growth of the costume market, but identifies shortcomings in the functionality and adaptability of the garments, especially in Latin American contexts where the specialized offer is limited. In the case of Jatun Takiri, the absence of costumes designed specifically for their needs has restricted both the artistic expression and the technical capacity of the cast, due to the lack of specialized designers and adequate materials in the country. The methodology used was qualitative and descriptive, using purposive sampling with 15 dancers and the director of the cast. Focus groups, interviews and direct observation of the choreography “Ancestros” were used to identify the technical, aesthetic and symbolic requirements of the costumes. The results show that the costumes must guarantee freedom of movement, resistance, visual coherence and conceptual integration with the work The proposal consists of the design of scenic clothing for “Ancestros”, integrating elastic, light and breathable materials, and textile interventions such as sublimation, macramé and gradients. The silhouettes and cuts prioritize mobility and aesthetics, inspired by the Inca cosmovision of the Apus and ethnic elements of Jatun Takiri. The project demonstrates that a well-designed stage costume is essential to strengthen cultural identity and artistic expressiveness in contemporary dance.
Diseño de indumentaria escénica para Ballet Clásico a partir de la incorporación de intervenciones textiles para la academia “Danzas Escuela de Artes Escénicas” de la ciudad de Ambato.
(2025-02)
Noboa Quintana, Melanie Shantal
;
Ponce Pérez, Celinda Anabella
El presente proyecto surge ante la necesidad de transformar y renovar las propuestas de diseño en el vestuario escénico, buscando integrar efectivamente la funcionalidad técnica con la expresividad artística requerida en las presentaciones de ballet, la colección se centra en la creación de vestuario para la obra "Alicia en el país de las maravillas", combinando aspectos funcionales y estéticos para satisfacer las necesidades específicas de las bailarinas y los requerimientos narrativos de la obra, en la cual se incluyó un enfoque cualitativo y etnográfico, utilizando grupos focales con bailarines, entrevistas a coreógrafas y diseñadores, además del análisis técnico de intervenciones textiles y observación de movimientos de ballet clásico. Los resultados culminaron en el diseño de una colección de indumentaria escénica de ballet clásico, que incorpora elementos del estilo romántico y técnicas de intervención textil Se desarrollaron diseños para los personajes principales como: Alicia, Reina de Corazones, Sombrerero Loco, Liebre de Marzo, Conejo Blanco y Gato de Cheshire. La investigación concluye en la integración de intervenciones textiles en el diseño de indumentaria escénica permitiendo mejorar tanto la funcionalidad como la narrativa visual del vestuario, contribuyendo significativamente a la caracterización de los personajes y la calidad general de la representación escénica.
Diseño de indumentaria para competencias de alto rendimiento en la división de ladies fitness
(2024-02)
Dalia Maribel, Ríos Toapanta
;
Iraida Teresa, Ubilluz Alban
El proyecto actual tiene como objetivo diseñar indumentaria para competencias de alto rendimiento en la división de ladies fitness. El objetivo principal de este proyecto integrador como primer punto es brindar a las deportistas indumentaria de competencia avalada por la Asociación Deportiva Provincial de Fisicoculturismo de Tungurahua siguiendo las reglas o normas de la indumentaria de presentación para competencias fitness femeninas, mismas que son establecidas por la autoridad máxima de la IFBB, como segundo punto se consideró que se quiere atender este nicho de mercado que se encuentra muy desatendido según los resultados obtenidos de las encuestas, por esta razón y como tercer punto se ha creado la marca DEM (disciplina, espíritu y mente) palabras clave que se aplica en esta disciplina, con estos tres puntos se desea brindar a las deportistas la seguridad de poder obtener sus trajes satisfaciendo y resolviendo los problemas que se pudo encontrar por medio de la indagación realizada. En la factibilidad del tema propuesto se realizó una entrevista a cada una de las autoridades de fuerza mayor y encuestas a las deportistas que ya han competido y también quienes están iniciando en esta disciplina. Como resultado se manufacturó una XXIV colección de seis bikinis de competencia con la funcionalidad de que toda la colección sean prendas aptas para tres tipos de modalidades femeninas bikini, body y wellness fitness, añadiendo el estilo europeo para este tipo de indumentaria de competencia, es decir, bikinis de dos piezas, cuatro prendas superiores están compuestas por copas triangulares realizadas con neopreno y dos prendas son copa push up o copa entera mientras que las prendas inferiores tienen un acabado en V que permite ver a la competidora con más estética y a la vez el trabajo muscular, agregando a esto, la colección es ornamentada con pedrería swarovski, vidrio y resina detalles que fueron inspirados en la simbología de los dioses griegos, este tipo de decoración resaltan las prendas por sus destellos y el manejo de la formas creadas por medio de la inspiración como fueron las “Evolución de ideas rápidas”, se brindó opciones en cuanto al costo de las prendas, es decir , se clasificó por estratos sociales con la intención de dar opciones para el mejor alcance económico para las clientas, cabe recalcar que los precios varían al igual que el manejo de la pedrería pero toda la colección lleva la misma calidad. En resúmen este proyecto propuso diseñar y manufacturar bikinis de competencias que cumplan con los reglamentos de presentación establecidas por la autoridad máxima como es la IFBB siendo avalados por la entidad encargada de la A.D.P.F.T mismo que fueron validados por el presidente y coordinador de la asociación antes mencionada cumpliendo así con el objetivo principal y objetivos secundarios descritos en el presente proyecto integrador
Generación de una línea de Indumentaria urbana femenina a partir de la influencia de género musical reggaetón para la academia Magnanimos Complex Studio
(2024-02)
Lagua Tomarima, Tatiana Anabel
;
Sánchez Sailema., Erika Catalina
La música al ser un vínculo cultural que une a las personas, proporciona identidad y cohesión social. Dentro de este proyecto el fenómeno musical urbano reggaetón, es tomada como oportunidad de diseño de indumentaria con el fin de conectar y colaborar con la audiencia apasionada dentro de la ciudad de Ambato en la provincia de Tungurahua. El impulso principal de este estudio radica en la marcada aceptación que el reggaetón ha obtenido entre el público juvenil en los últimos años, lo que generó un interés considerable en su impacto cultural y social, dicho interés se fundamenta en la influencia significativa que las plataformas digitales y las redes sociales han tenido, especialmente en relación con la práctica del baile. En este sentido, se identificaron y abordaron problemáticas específicas dentro de la Academia de baile Magnanimos Complex Studio, apuntando a comprender cómo la música, específicamente el reggaetón, influye en la indumentaria y la expresión escénica de las bailarinas urbanas. La metodología que se utilizó fue la revisión de información a través de métodos bibliográficos, recolección y análisis datos, síntesis de información y la sistematización de método de diseño de indumentaria. El foco de este proyecto recae en el análisis de las bailarinas urbanas y su indumentaria escénica. La propuesta de este estudio contribuye al diseño de indumentaria escénica con la fusión de elementos distintivos del género musical reggaetón y cuidadosamente adaptados a los requerimientos técnicos necesarios para ser utilizados durante presentaciones artísticas de la disciplina del baile urbano.
Diseño de indumentaria para basquetbolistas con discapacidad motriz, en extremidades inferiores
(Universidad Técnica de Ambato. Facultad de Diseño, Artes y Arquitectura. Carrera de Diseño de Modas., 2018-10)
Villacrés Altamirano, María Gabriela
;
Ramírez Bonilla, Nancy Raquel
In this project the "Design of clothing for basketball players with motor disability, in lower extremities" is studied, to achieve this it is necessary to investigate theoretical background on clothing for athletes with motor disabilities, determine the needs of the target and develop a proposal of adaptive clothing to perform field research, the opinion of the basketball players with disabilities of the city of Ambato, coaches, managers and medical personnel was collected, the organization studied was the ASOPLEJICAT Sporting Club, subsidiary of the Sports Federation of Tungurahua, which groups athletes from 13 to Less than 60 years old, it has 3 coaches and approximately 35 athletes. It was determined that almost two-thirds of athletes exceed 40 years of age, in all cases manifest physical disability of the lower limbs, 54.3% of athletes have a 60% disability and followed by 20% have 72%, 40% are unemployed and 8.6% are students, 34.3% assign a level of importance of 5/10, 20% rate the importance of the costumes with 7/10. The shortcomings of the wardrobe according to 20% is not very adaptable; for 11.4%, it has limited resistance. 60% of athletes prefer the size Medium; followed by 31.4% who prefer to wear sports clothes of size Large; 85.7% prefer to wear pants, functionality is essential; because the current garments do not give them that characteristic; 31.4% and inappropriate garments are used for basketball (25.7%) because they are of poor quality, unpleasant to the eye, uncomfortable due to the lack of adjustment devices and the lack of closure accessories, 77.1% of athletes only sometimes find the garments in Ambato and 17.1%, never. However, 42.9% of the population prefers to buy in stores while 22.9% in factories where they make tailor-made or specialized stores (20%). The purchasing factors are functionality (42.9%), type of material (20%), design (20%), price and quality. Sports clothes suffer more wear on knees (37.1%), seatings (20%) and thighs (14.3%); finally, 74.3% practice basketball once or twice a week.
La gestión del diseño en las empresas manufactureras de indumentaria en denim
(Universidad Técnica de Ambato. Facultad de Diseño, Artes y Arquitectura. Maestría en Diseño, Desarrollo e Innovación de Indumentaria de Moda., 2018-10)
Paredes Morales, María Cristina
;
Santamaría Aguirre, Jorge Luis
Nowadays, companies put a great emphasis in the design, as an important strategic active in order to reach competitive and differentiator advantages facing a market with a big growth of products and consumers that wish to enhance their quality life with products that fit their necessities. It is required for new, creative, innovative approaches, that the design can implement, allowing to a businessmen’ reflection about the way they work with the design inside their companies. The awareness about incorporating design through time and in different contexts, which some worldwide companies adopt, mainly in developing countries, open doors to the development of new products. The technology transference, the emergence of the new market poles and the consumption bring new customers. In order to achieve changes, it is required to generate a new thinking in the company, where the same philosophy needs to be transformed; with a wide and flexible vision with actions and proposals of viable changes. Some of them have been presented by government and private organizations, which are international known. These organizations develop tools, plans and measurements in providing a basis for the importance of design in the economy because it has been understood that design management is a part of factors that provides innovation and in the same way to the competitiveness of a country or region. From a local perspective in the productive sector about denim in Pelileo which belongs to Tungurahua province – Ecuador. Because the majority of the entrepreneurships were handmade, businessmen could not comprehend what their situation was regarding the design, which beliefs they have, which pathway can be adopted for improvements and how to adequately handle this source in order to achieve competitive advantages in the market. The objective of the current research is to identify the signals of the integration of the design in a basic level related to high-developed entrepreneurships in the denim sector in Pelileo, which leads to generate a diagnosis model in order to identify the situation of the companies and their integration level with the design. It will define the implications that the design management can contribute in the clothing manufacturing companies in denim. It has been chosen because in this sector, there is a wide business fabric, which is the economic base in the city and it has a wide-ranging in the market at the national level. After applying the case study as the methodology, the research analyses the situation from two approaches: on the one hand, the macro level (country) and on the other hand, the micro level (companies) in order to get an overview from the context in where the companies under study are developing. Having a notion of the political, economic, social, technological, ecological, legal and demographic dynamics that are part of the Ecuadorian reality allowed knowing the opportunities and threats of the companies against their strengths and weaknesses. The obtained results show the factors that support and those that harm the insertion of the design in the companies of the sector as a productive development strategy.
Factores políticos, económicos, sociales y tecnológicos y la indumentaria en las empresas de confección textil de Cámara de Industrias de Tungurahua
(Universidad Técnica de Ambato. Facultad de Diseño, Artes y Arquitectura. Carrera de Diseño de Modas., 2018-04)
Cuchiparte Toaquiza, Luz Blanca
;
Guamán Llamuca, Carlos Alberto
This thesis has as a goal the study of the ECONOMIC SOCIAL TECHNOLOGICAL POLICY factors that they take influence in the production and design of the clothes in the “Cámara de Indsutrias de Tungurahua”, focusing principally to determine which is the structure of the current ECONOMIC SOCIAL TECHNOLOGICAL POLICY factors of the fashion making industry have the most repercussions in the design in the textile cluster of Tungurahua. Based on this, a field and bibliographic study was carried out, evaluating the information qualitatively, information that greatly helped the direction of the research, Giving as a result, that one of the most relevant factors for the inclusion of design in clothing is the social factor, because the client behavior is that decides if the designed product is commercial or not, being one of the ways to know the behavior of the consumer, the study of the macro tendencies and the launching of the same for a market that fits the consumption required. The growth of companies individually is in a certain way viable at the same time that fashion designers are facing a work environment in which it has to be a social entity being at the same level of change and progress in our political, economic, social, and technological environment, because on base on this, we draw designs with the purpose to sell its plenty. As designers, we find ourselves in a paradigm between the national market and the macro trends in which we are governed to create a fashion collection that in the process of creating it is fundamental to the management of fashion trends platforms, because of that it results in the management of trends that are launched annually by platforms such as ISCIS and WGSN.
Análisis de las costumbres y tradiciones del cantón Patate para la generación de elementos conceptuales en el diseño de indumentaria
(Universidad Técnica de Ambato. Facultad de Diseño, Artes y Arquitectura. Carrera de Diseño de Modas., 2018-02)
Betancourt Guachambala, Diana Carolina
;
López Barrionuevo, Nancy Margarita
Nowadays on having spoken about customs and traditions it is refer to a cultural identity that allows to differ to a place from others, the meanings of this type of manifestations are so extensive that to be able to understand them it is necessary to bear several aspects in mind, geographical, economic, ethnographic, between others. The fact of a previous investigation not being realized on those customs and traditions that form a part of the cultural identity of the canton Patate which provokes an ignorance and disinterest in the local settlers doing that the above mentioned manifestations go vanishing slowly with the passage of time. Ecuador a country that possesses an extensive and varied cultural identity enriched by the ancient know obtained of the different communities, sectors. Across the executed investigation it was achieved to determine, to analyze those customs and traditions that during the step of the years have been supported generation after generation by some changes but that his essence is kept, in addition the determination of those images that they represent directly to the tradition or custom. In refutation to this result, it is that the present project is born, since it is based on an analysis semiótico of the customs and traditions of the canton Patate applied in the design of typical suit of fantasy, with the aim to generate conceptual elements taking these manifestations as a modal to help in design of apparel in the different existing lines.
Diseño de indumentaria casual femenina con aplicación de bordados Cacha
(Universidad Técnica de Ambato. Facultad de Diseño, Arquitectura y Artes. Carrera de Diseño de Modas., 2017-11)
Guamán Pucuna, Mónica Patricia
;
Ramírez Bonilla, Nancy Raquel
The present project focuses on research on the ethnic embroidery of the Cacha culture, with the aim of taking them as referents in new proposals for designing a collection of women's clothing in the casual line. Casual clothing is a universe that is characterized by being flexible, versatile garments and can be used for different occasions, being functional garments, can be made with flat and knitted fabrics. On the other hand, ethnic embroidery is an art with a great variety of colors and forms elaborated by the indigenous women who represent the forms of nature in a garment. This project intends to value the artisan activity that is reflected in the embroidery of the Cacha culture and to project not only the traditional dress of the indigenous communities but also to project to casual women's clothing applying in different garments with the purpose of preserving and exalting The beauty of this craft activity as they are exclusive models, that each stitch tells a unique history of culture, and through it, these embroidery have a place in the world of today's fashion with a different style.

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