Diseño de modas

Permanent URI for this collectionhttp://repositorio.uta.edu.ec/handle/123456789/7524

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    Estudio comparativo del sistema vestimentario de la comunidad Cacha entre el periodo 1979 – 2019
    (Universidad Técnica de Ambato. Facultad de Diseño y Arquitectura. Carrera de Diseño de Modas., 2020) Chicaiza Moposita, Karla Gabriela; Sánchez Sailema, Erika Catalina
    The semiotic analysis of the clothing of the Cacha indigenous people is a project based on research on related issues of cultural identity. There are researches of ethnic groups and indigenous peoples, with a cultural, ethnic, social and political focus, and the lack of a semiotic study of the clothing and the real meaning of the Cacha indigenous people is notorious. On the other hand, the inadequacy of clothing inquiries, allows promoting design proposals that aim to preserve the cultural heritage of the Cacha community. At the same time, an investigation with semiotic features is sought, using the theory and semiological method of Charles Sanders Peirce, to know the traditional clothing of a culture of Ecuador, from the semiological theory. It also allows knowing the concept and conception of each component that makes up the clothing. The present investigative work presents a qualitative approach, because it deals with methodical and empirical processes to generate knowledge. In the same way the sample is non-probabilistic, homogeneous and chain or networks, raised directly to the predominant families of the community, also to the artisans of Cacha. Its purpose is to preserve the living clothing memory. When making design proposals with semiotic features of the traditional clothing Cacha, contributing to the valorization of identity clothing of said community.
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    Análisis semiótico de la vestimenta de la Nacionalidad Tsa’chila”
    (Universidad Técnica de Ambato. Facultad de Diseño, Artes y Arquitectura. Carrera de Diseño de Modas., 2018-10) Prado Uriarte, Liliana Marisol; Solís Sánchez, Sandra Jacqueline
    Semiotic analysis of the Nationality Tsa'chila dress is a project based on inquiries into issues of cultural identity. There is research to indigenous nationalities and peoples, culturally, ethnic, social, and political approach, being remarkable the lack of a semiotic study of clothing and real meaning of Tsa'chila nationality. Moreover, insufficient clothing research, allows us to suggest an identity publication worldview and cultural foundations that seek the preservation of cultural tangible and intangible heritage of Tsa'chila nationality. In addition, an inquiry intended semiotic perspective, using the theory and method semiologic Roland Barthes, to know the dress of a traditional culture of Ecuador, from the semioenological theory. Also reveals the concept and design of each component that makes up the dress. In order, to carry out an ethnographic study, determine characteristics of the clothing, make photographic and actual records, and raise the significance, by the method of Roland Barthes. This research paper presents qualitative approach, because it is methodical and empirical processes to generate knowledge. Also, the sample is not probabilistic-homogeneous, directly raised a family for each commune Tsa'chila. Ultimately it aims at preserving cultural tangible and intangible heritage of Tsa'chila nationality. When performing a photographic and documentary survey with the characterization and real meaning of the Tsa'chila clothing, allowing knowledge to society in general and a significant preservation of customs and traditions of nationality and country Tsa'chila contribution. On the other hand, it would be prescribed as a source of real research.
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    Análisis de las costumbres y tradiciones del cantón Patate para la generación de elementos conceptuales en el diseño de indumentaria
    (Universidad Técnica de Ambato. Facultad de Diseño, Artes y Arquitectura. Carrera de Diseño de Modas., 2018-02) Betancourt Guachambala, Diana Carolina; López Barrionuevo, Nancy Margarita
    Nowadays on having spoken about customs and traditions it is refer to a cultural identity that allows to differ to a place from others, the meanings of this type of manifestations are so extensive that to be able to understand them it is necessary to bear several aspects in mind, geographical, economic, ethnographic, between others. The fact of a previous investigation not being realized on those customs and traditions that form a part of the cultural identity of the canton Patate which provokes an ignorance and disinterest in the local settlers doing that the above mentioned manifestations go vanishing slowly with the passage of time. Ecuador a country that possesses an extensive and varied cultural identity enriched by the ancient know obtained of the different communities, sectors. Across the executed investigation it was achieved to determine, to analyze those customs and traditions that during the step of the years have been supported generation after generation by some changes but that his essence is kept, in addition the determination of those images that they represent directly to the tradition or custom. In refutation to this result, it is that the present project is born, since it is based on an analysis semiótico of the customs and traditions of the canton Patate applied in the design of typical suit of fantasy, with the aim to generate conceptual elements taking these manifestations as a modal to help in design of apparel in the different existing lines.