Diseño y Arquitectura

URI permanente para esta comunidadhttp://repositorio.uta.edu.ec/handle/123456789/7522

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Diseño de una colección de bolsos multifuncionales integrando upcycling en denim para la Empresa Faditex
(UNIVERSIDAD TÉCNICA DE AMBATO; FACULTAD DE DISEÑO Y ARQUITECTURA CARRERA DE DISEÑO TEXTIL E INDUMENTARIA, 2026-07-06)
Llerena Gomez Giovanna Paola
;
Ramírez Bonilla Nancy Raquel
;
UNIVERSIDAD TÉCNICA DE AMBATO; FACULTAD DE DISEÑO Y ARQUITECTURA CARRERA DE DISEÑO TEXTIL E INDUMENTARIA
This study addressed the issue of the accumulation and underutilization of denim textile scraps generated during the cutting and sewing processes at Faditex, a company located in the San Pedro de Pelileo district, Tungurahua province. This situation highlights the need to implement sustainable strategies within the textile industry that reduce the environmental impact caused by pre-consumer waste while simultaneously generating new opportunities for innovation and added value. In this context, the study aimed to design a collection of multifunctional bags made from denim textile scraps through upcycling processes, designed to meet the functional, aesthetic, and contemporary needs of the company’s direct consumers. The research was conducted using a qualitative and experimental approach, through a literature review of references related to sustainable design, textile reuse, denim, and upcycling. Thus, techniques of observation, material experimentation, and analysis of the physical and functional properties of denim textile remnants were applied to determine their viability in the construction of multifunctional accessories. During the design process, criteria related to functionality, ergonomics, aesthetics, and innovation were integrated, enabling the development of adaptable and transformable designs that align with current market trends. The results showed that denim textile scraps possess characteristics suitable for reuse in the production of multifunctional bags, enabling the creation of functional, durable, and visually appealing products. Similarly, it was determined that the application of upcycling helps reduce textile waste and contributes to strengthening practices related to the circular economy within the company. Finally, it was concluded that sustainable design applied to the development of accessories constitutes a viable alternative for integrating innovation, functionality, and environmental responsibility within the Ecuadorian textile industry, while simultaneously strengthening Faditex’s competitiveness and market differentiation.
Experimentación de técnicas de intervención textil innovadoras en denim guiadas por tendencias emergentes para el sector textil en Pelileo
(UNIVERSIDAD TÉCNICA DE AMBATO; FACULTAD DE DISEÑO Y ARQUITECTURA CARRERA DE DISEÑO TEXTIL E INDUMENTARIA, 2026-07-06)
Punina Punina Brithney Nathalia
;
Sánchez Sailema Erika Catalina
;
UNIVERSIDAD TÉCNICA DE AMBATO; FACULTAD DE DISEÑO Y ARQUITECTURA CARRERA DE DISEÑO TEXTIL E INDUMENTARIA
The textile sector in the Pelileo canton is characterized by the continued use of empirical finishing techniques and textile interventions that form part of both production and commercial operations. However, the limited incorporation of innovative approaches and restricted access to platforms featuring emerging trends reduce opportunities for aesthetic differentiation within an increasingly competitive market niche. The objective of this research was to experiment with innovative textile intervention techniques on denim, guided by emerging trends and local practices, with the aim of strengthening the textile sector in Pelileo. A qualitative approach with a descriptive-exploratory scope was employed, using fifteen semi-structured interviews with apparel designers, industrial laundry technicians, and textile workshop managers. Additionally, trend reports from specialized design and fashion platforms such as WGSN and Next Lab Lafayette were analyzed. The findings revealed a moderate aesthetic transformation in the sector, characterized by the predominance of minimalist finishes, frosted washes, and traditional textile processing techniques. Furthermore, an affinity was identified between the analyzed trends and the technical capabilities of local workshops, particularly in the application of distressed finishes and the enhancement of textures. It is concluded that the sector possesses technical and creative potential greater than that reflected in its current commercial offerings; however, limitations persist regarding sustainability, financial resources, access to specialized information, and the ability to anticipate trends.
Estrategias de diseño sustentables mediante el uso de residuos de denim para el sector del calzado artesanal en Tungurahua
(UNIVERSIDAD TÉCNICA DE AMBATO; FACULTAD DE DISEÑO Y ARQUITECTURA; CARRERA DE INGENIERÍA EN DISEÑO INDUSTRIAL, 2026-01-21)
Medina Valencia Joselyn de los Angeles
;
Jessica Viviana Martínez Vergara
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UNIVERSIDAD TÉCNICA DE AMBATO; FACULTAD DE DISEÑO Y ARQUITECTURA; CARRERA DE INGENIERÍA EN DISEÑO INDUSTRIAL
This research focuses on the analysis and use of denim waste generated in textile workshops, with the aim of evaluating its technical and productive feasibility for the manufacture of handmade footwear in Tungurahua. Handcrafted footwear is a strategic productive sector that mainly uses leather and synthetic materials, so the incorporation of denim scraps represents a sustainable alternative that provides environmental, economic, and cultural value. The work is justified by the problem identified in textile workshops, where between 15 and 50 kilograms of denim scraps are generated each month, most of which are discarded, incinerated, or stored without sorting. This waste has a weight of between 11 and 14 ounces and technical characteristics suitable for reuse, so its use can reduce environmental impact and strengthen the circular economy in the region. The methodology applied included semi-structured interviews with textile workshops, shoemakers, and experts in the field, as well as technical observation sheets. The results showed that the material is available, artisans are willing to use it, and denim is compatible with artisanal processes such as patchwork, module creation, vivid textures, braiding, and mixing with other materials. Likewise, a growing market interest in sustainable products was identified. Finally, the proposal developed proposes sustainable design strategies to integrate denim waste into footwear components, reinforcing the artisanal identity and promoting production models aligned with sustainability and the circular economy
Diseño de una colección en denim con aplicación de intervenciones textiles y residuos preconsumo para la EMPRESA CARITEX
(UNIVERSIDAD TÉCNICA DE AMBATO; FACULTAD DE DISEÑO Y ARQUITECTURA; CARRERA DE DISEÑO TEXTIL E INDUMENTARIA, 2026-01-20)
Villalba Quinto Daniela Lizbeth
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Sánchez Sailema Erika Catalina
;
UNIVERSIDAD TÉCNICA DE AMBATO; FACULTAD DE DISEÑO Y ARQUITECTURA; CARRERA DE DISEÑO TEXTIL E INDUMENTARIA
Caritex, located in the Pelileo district, is a local reference in the production of denim garments. However, its manufacturing process generates a considerable amount of pre consumer textile waste, including fabric scraps, cut offs, and production defects. Due to the absence of an adequate management system, these materials are discarded in the waste site of the El Rosario parish, generating environmental impacts and representing the loss of resources with high creative potential. Additionally, there is limited knowledge of innovative textile intervention techniques that could be applied to develop aesthetically appealing and commercially competitive products. This research project aims to design an experimental denim collection that integrates contemporary textile interventions and the reuse of pre consumer waste, based on the transformation methodology proposed by Kate Fletcher. To achieve this, a diagnostic study of Caritexs production system was carried out through interviews, direct observation, and focus groups with young consumers, identifying needs, preferences, and opportunities for sustainable innovation. Subsequently, an experimental phase was conducted through textile intervention samples, which made it possible to evaluate the technical and aesthetic feasibility of techniques such as patchwork, embroidery, appliques, and laser engraving applied to denim scraps. The results demonstrated strong potential for their use in future prototypes. Finally, the findings were integrated into a design proposal that outlines guidelines for a sustainable, creative, and context based denim collection. This proposal strengthens the competitiveness and innovation of Caritex within the denim market and contributes to the recognition of Pelileos local textile identity.
Técnicas de patronaje cero residuos para prendas básicas masculinas en denim: Una exploración proyectual regenerativa en el diseño de indumentaria
(UNIVERSIDAD TÉCNICA DE AMBATO; FACULTAD DE DISEÑO Y ARQUITECTURA; CARRERA DE DISEÑO TEXTIL E INDUMENTARIA, 2026-01-20)
Masaquiza Villacres Alex David
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Escobar Guanoluisa Taña Elizabeth
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UNIVERSIDAD TÉCNICA DE AMBATO; FACULTAD DE DISEÑO Y ARQUITECTURA; CARRERA DE DISEÑO TEXTIL E INDUMENTARIA
Questa tesi sviluppa un metodo di modellistica a spreco zero applicato alla progettazione di capi basici in denim da uomo, con l'obiettivo di promuovere pratiche rigenerative e responsabili all'interno dell'industria tessile e dell'abbigliamento. Partendo dal riconoscimento dei problemi ambientali associati agli scarti tessili e dal potenziale del denim come materiale altamente durevole e versatile, viene proposta un'esplorazione progettuale che integra principi di circolarità, rigenerazione ed efficienza dei materiali nella costruzione dei modelli. Lo studio si basa sull'analisi strutturale e morfologica di capi essenziali dell'abbigliamento maschile – t-shirt, camicia e pantaloni – al fine di comprenderne le caratteristiche formali, le aree di maggiore consumo tessile e le opportunità di riprogettazione secondo criteri di ottimizzazione e riduzione degli sprechi. Per la proposta metodologica, viene sviluppato il Metodo dei Tre Scenari Zero, un modello di progettazione che articola strategie di Modellistica a Spreco Zero, design rigenerativo e pensiero sistemico. In questo modo, vengono implementati due metodi di modellistica; Lo studio esplora due approcci: il metodo denim zero a lunghezza intera e il metodo denim zero geometrico. Ogni approccio considera decisioni di modellistica, progettazione geometrica e assemblaggio che massimizzano l'uso della superficie tessile, riducono i processi inquinanti e generano nuove morfologie praticabili per il mercato del jeanswear. Il metodo è convalidato attraverso prototipi di denim, accompagnati da test di vestibilità e analisi dell'efficienza dei materiali, dimostrando risultati favorevoli in termini tecnici, estetici e funzionali. Lo studio conclude che è possibile implementare processi di modellistica a spreco zero nei capi basic maschili senza comprometterne l'ergonomia, l'identità visiva o le prestazioni, aprendo così una strada praticabile verso la transizione rigenerativa del settore.
Diseño de una colección de indumentaria en denim a partir de la interpretación del bordado de la vestimenta festiva salasaka para la empresa ALRAM
(UNIVERSIDAD TÉCNICA DE AMBATO FACULTAD DE DISEÑO Y ARQUITECTURA DISEÑO Y ARQUITECTURA CARRERA DE DISEÑO TEXTIL E INDUMENTARIA, 2025-07-29)
Villegas Mayorga Edgar Joel
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Medina Robalino Aylen Karina
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UNIVERSIDAD TÉCNICA DE AMBATO FACULTAD DE DISEÑO Y ARQUITECTURA DISEÑO Y ARQUITECTURA CARRERA DE DISEÑO TEXTIL E INDUMENTARIA
This research presents the design of a denim clothing collection for the company ALRAM, based on the interpretation of embroidery from the festive garments of the Salasaka community, located in Tungurahua Province, Ecuador. The project responds to the need to revalue artisanal techniques that are being displaced by industrial textile processes. The proposal aims to establish a dialogue between tradition and modernity, integrating Salasaka hand embroidery into an urban fashion collection targeted at both male and female audiences. The project followed a design-based methodology, covering stages such as contextual and formal research, technical analysis of traditional and contemporary embroidery, and direct fieldwork observation. Artisanal practices were documented, including processes, materials, and techniques employed by local artisans. This analysis allowed for evaluating the adaptability of embroidery to denim fabrics, considering aspects such as texture, durability, symbolic expression, and visual harmony between the material and the artisanal technique. The outcome is a six-outfit collection featuring upper and lower garments, created using various denim compositions and weights. The collection demonstrates the feasibility of incorporating Salasaka embroidery into industrially produced urban garments while maintaining its cultural and symbolic integrity. In doing so, it reinforces the connection between contemporary fashion design and Andean textile heritage, offering a renewed framework for the valorization of traditional craft techniques.
Intervenciones textiles en denim inspirados en la representación pictórica andina de la comunidad de Tigua
(2024-08)
Vargas Bravo, Odalis Mariuxi
;
Betancourt, Diego
El proyecto integrador propone explorar las intervenciones textiles en denim, tomando como fuente de inspiración las pinturas de la comunidad de Tigua. Se llevó a cabo un análisis detallado de cada pintura y sus elementos simbólicos más destacados, con el fin de reinterpretarlos en diseños textiles contemporáneos. Se centró en la experimentación con diversas técnicas textiles, con el objetivo de crear piezas únicas que reflejen la esencia cultural de la comunidad de Tigua y que puedan ser integradas en la industria textil. Este proyecto se realiza con el fin de revalorizar las pinturas de la cultura de Tigua a través de un catálogo, aplicando diversos tratamientos superficiales como el estampado, DTF, grabado láser, foil, vinil textil, entre otros. A partir de estudios bibliográficos, también se emplea una metodología descriptiva, que incluye entrevistas a los artesanos y fichas con el método de Edwin Panofsky para interpretar su simbolismo. A través del análisis detallado obtenido de las entrevistas realizadas y las fichas de experimentación, se logró identificar los significados de cada una de las pinturas de la comunidad de Tigua. Estos hallazgos proporcionaron una comprensión más profunda de la riqueza simbólica presente en las obras de arte, permitiendo distinguir qué técnicas de experimentación resultan más adecuadas para resaltar y preservar dichos significados tanto antes como después del proceso de lavado. Este enfoque detallado no solo enriqueció una comprensión de las pinturas, sino que también contribuyó significativamente al desarrollo de un proceso de intervención textil más informado y sensible, que respeta y realza la autenticidad cultural de las obras originales.
Diseño de Indumentaria en denim a partir de la obra artística de Oswaldo Viteri
(2024-08)
Toapanta Moposita, Evelyn Tatiana
;
Sánchez Sailema, Erika Catalina
El diseño es la creación de algo nuevo con el propósito de satisfacer o crear una necesidad a través de un producto, por tanto, la tarea del diseñador es identificar necesidades, lo que requiere observación, investigación y la sensibilidad que normalmente tienen las personas que se dedican a actividades creativas. En Ecuador, hay muchos artistas que han moldeado el creciente conocimiento de la cultura y los hechos históricos del país, como el artista ecuatoriano Oswaldo Viteri, conocido por sus importantes contribuciones al arte abstracto y su trabajo ha sido exhibido en galerías y museos de todo el mundo, sus pinturas se caracterizan por formas geométricas y colores vibrantes que reflejan la cultura y la naturaleza del Ecuador. En este sentido en este estudio se planteó el objetivo de diseñar una colección de indumentaria en denim, inspirada en la obra artística de Oswaldo Viteri, dirigida a niños de 6 a 10 años de edad. Para ello se empleó una metodología cualitativa donde se examinaron 10 obras de Viteri a través de una ficha de autopsia de obras artísticas, se realizaron entrevistas a 3 diseñadores de moda y experto en pintura y se realizó un focus group con clientes de la empresa. Obteniendo como resultado obras de variedad cultural y espiritual que existen a nuestro alrededor y establecen una conexión más significativa y profunda con nuestro entorno. Entre tanto los diseñadores de moda destacan la importancia de inspirarse en el arte abstracto a la hora de crear nuevas colecciones, ya que consideran que la fusión creativa de arte y moda puede ayudar a triunfar en este sector tan competitivo. Asimismo, destacan el valor de ofrecer una amplia gama de artículos de moda para niños y adultos, haciendo especial hincapié en el denim, los jeans y shorts. En este sentido como conclusión, este estudio destaca la importancia de inspirarse en el arte abstracto a la hora de crear nuevas colecciones. Es por ello que el diseño de la colección de indumentaria en denim, inspirada en la obra artística de Oswaldo Viteri, será pieza clave de creatividad y originalidad para destacarse en la industria de la moda actual, marcando tendencia en la actual generación, que está experimentando un auge en la moda contemporánea.
Intervención en las mermas del denim para el desarrollo de un textil artesanal para la empresa grupo MV
(2023)
Estupiñan Bravo, Johnny Andrés
;
Sánchez Sailema, Erika Catalina
El presente proyecto está dirigido hacia la empresa Grupo MV la cual presenta una cantidad de desechos post corte significativa, la cual no es utilizada en otros productos o actividades, para lo cual se da a conocer el proceso investigativo y de diseño para el desarrollo de un textil que hace uso de estas mermas para su aplicación en indumentaria casual, que nace por el aumento de la contaminación de ríos y de botaderos con estos residuos en la ciudad de Ambato. Por lo tanto, se analizó a través de la metodología de Diseño generalizador integrado de Víctor Papanek, al usuario, destacando así su necesidad más primordial y así ofrecerle una alternativa que satisfaga dicha necesidad, de tal manera que a través de los pilares de esta metodología, en problemas sociales y del usuario, la reutilización de estas mermas en el desarrollo de un textil intervenido que genere una textura afelpada y que sea útil y aplicable en indumentaria de su gusto, donde también se hizo uso de instrumentos de evaluación como las encuestas y entrevistas. De esta manera se permite mitigar el impacto de estos residuos en el ambiente y así ofrecer una solución o alternativa que pueda ser aplicable en la empresa y también para otros usuarios, tomando en cuenta su nicho de mercado, el análisis de la competencia y de la propuesta de valor o diferenciador potencial.
Diseño de trajes formales aplicando procesos y características del denim
(Universidad Técnica de Ambato. Facultad de Diseño y Arquitectura. Carrera de Diseño de Modas., 2020-01)
Sánchez Vásquez, Gisela Marissa
;
Guamán Llamuca, Carlos Alberto
The project began with the obtaining of the different objectives which are to determine processes and characteristics in denim, establish its processes and elaborate each established garment. We investigated about the history of denim, from its origins to the present time, in addition to the most relevant garments that are considered formal, information was sought on the different types of denim that could be found in the market which are suitable for the Formal garment handling, for which the Vicunha company provided information and textiles suitable for this project, arriving to obtain a proposal where the designs represent innovation, comfort and individualism, since in the surveys carried out the market, the gender and what they are looking for. The elements of the design to make the collections were analyzed, based on a tendency to know, shapes, colors and textures, proposing several sketches with which creativity and the information bases that were achieved throughout this process were used. A collection of six outfits was made of which three were created for a physical presentation of the same, each suit was made with different textiles in denim, either with the variation of its composition and values of each, as well as with a differentiation of Washings from dewatering to a Stone 1. The results that were obtained are that denim is a moldable material which can withstand various processes or crafts by means of the washes that were made, in addition that it was possible to fuse other textiles giving a cleaner finish accompanied by the use of seams. Thus getting to have costumes for women, with which they can have comfort to go to an event or their work wearing clothes made from denim.

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