Diseño y Arquitectura

URI permanente para esta comunidadhttp://repositorio.uta.edu.ec/handle/123456789/7522

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2019 - 201912020 - 20262

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Tema: search.filters.subject.CORPUS CHRISTI

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  • Miniatura
    Item type:Ítem,
    Diseño de anteproyecto arquitectónico de un Centro Cultural de Danzantes de Corpus Christi, Pujilí, Cotopaxi, Ecuador
    (UNIVERSIDAD TÉCNICA DE AMBATO; FACULTAD DE DISEÑO Y ARQUITECTURA CARRERA ARQUITECTURA, 2026-07-03)
    Guashca Tocumbe Freddy Rolando
    ;
    Molina Dueñas Víctor Hugo
    ;
    UNIVERSIDAD TÉCNICA DE AMBATO; FACULTAD DE DISEÑO Y ARQUITECTURA CARRERA ARQUITECTURA
    The Pujilí canton, province of Cotopaxi, Ecuador, concentrates one of the most representative intangible manifestations of the country: the Dancer of Corpus Christi, declared Intangible Cultural Heritage of the Nation. Despite this, the canton lacks permanent cultural facilities, so the production of costumes, the practice of dance and the custody of ceremonial objects depend on domestic, religious and festive spaces. Zambrano's (2022) inventory warns that the intergenerational transmission of the ritual reaches only 52% of valuation, while the Development and Territorial Planning Plan of the Pujilí canton 2021-2026 confirms the absence of specialized cultural infrastructure. The idea to defend argues that the design of a cultural architectural preliminary project, based on the reinterpretation of the symbolic elements of the ritual of the Corpus Christi Dancer, can constitute an active instrument for the intergenerational preservation of the intangible cultural heritage of the canton. The research adopts a mixed qualitative-quantitative method with a projectual approach, based on Groat and Wang (2013), structured in four phases: identification of the need in the cantonal PDOT; analysis of how to respond with a preliminary project; expert validation using the Delphi method with semi-structured interviews; and triangulation of criteria to produce project guidelines. The main result is the preliminary project of the Cultural Center of Dancers, organized around the central courtyard that links four areas of equal weight — production, practice, exhibition and services), structured according to Gadamer's hermeneutics and the principle of culture as a determinant of form by Rapoport (2003).
  • Miniatura
    Item type:Ítem,
    Análisis comparativo de la indumentaria del danzante de Pujilí y el danzante de Salasaka en la fiesta del Corpus Christi.
    (2024-02)
    Chango Sailema, Ariana Lissette
    ;
    López Barrionuevo, Nancy Margarita
    El inicio de la presente investigación surge del escaso estudio relacionado con la vestimenta de los pueblos indígenas del Ecuador, con especial atención a los trajes ancestrales, como los del danzante Salasaka y el danzante de Pujilí en la fiesta del Corpus Christi, donde destacan como protagonista principal debido a su traje emblemático y su danza representativa. Esta festividad, celebrada en junio, rinde homenaje a la prosperidad de la tierra por su abundancia en la cosecha y producción de frutos. El objetivo central es analizar la indumentaria actual identificando los elementos característicos del Danzante de Pujilí y el Danzante de Salasaka así pues se determina similitudes y diferencias de ocho elementos, para comprender las razones detrás de estas variaciones, cómo impactan en la expresión cultural y tradicional de ambas comunidades. Debido a que se ha observado variaciones notables en la forma, diseño y accesorios específicos de la indumentaria del danzante entre Pujilí y Salasaka. Esto se logrará mediante un estudio etnográfico, entrevistas semiestructuradas con miembros relacionados con estos personajes, recopilación de conocimientos a través de fuentes bibliográficas y observación directa. El enfoque será definir la función comunicativa, operativa, y tecno-productivas de estas vestimentas, detallando sus colores, texturas, insumos, materiales y el proceso de elaboración. Adicional aportara conocimiento sobre la relación con las celebraciones del Corpus Christi en Pujilí y Salasaka. Desde una perspectiva metodológica, la investigación adopta un enfoque cualitativo, permitiendo la exploración detallada y de interpretación. Esto asegura un proceso exhaustivo de exploración que respalda las conclusiones y recomendaciones.
  • Miniatura
    Item type:Ítem,
    Morfología del indumento del danzante de Corpus Christi y su aplicación en el diseño de indumentaria
    (Universidad Técnica de Ambato. Facultad de Diseño, Artes y Arquitectura. Maestría en Diseño, Desarrollo e Innovación de Indumentaria de Moda., 2019-04)
    López Barrionuevo, Nancy Margarita
    ;
    Núñez Torres, Sandra Hipatia
    The present work "MORPHOLOGY OF THE INDUMENT OF THE CORPUS CHRISTI DANCER AND ITS APPLICATION IN THE DESIGN OF CLOTHING" starts from identifying an explicit problem such as the meager application of the morphological interpretation of the clothing of the Corpus Christi dancer in clothing, cause of the devaluation of the intangible cultural wealth presents in the dress of the main character of one of the religious festivals held in Ecuador. Attractiveness as a phenomenon tends to be located in what is visually denoted or evident, and not in the intrinsic language that requires deeper studies that demonstrate its symbolic value; the same that can be used as a reference in the creative process of clothing design to give identity qualities to clothing. The research tries to conceive an interaction of design with identity values, generating a socio-cultural impact from a syncretic expression. Likewise, it forges a cognitive impact, since through this study new realities immersed in the production of knowledge can be glimpsed. The general objective to which it responds is: to analyze the morphological elements of the Corpus Christi dancer costume to apply them in apparel design proposals. From the methodological point of view, it was a qualitative research that produced descriptive data and sought in an epistemological dimension, the interpretation of the phenomena to be studied through the use of preexisting empirical generalizations. Objectivity in the use of this methodology fell on the registered empirical data overcoming, through the interpretation of its meanings. The meanings were extracted from the data in order to analyze a subjective reality that has interpretive wealth as a reciprocal element. The proposal presented is analyzed from three categories addressed in the research: body, dress and context. Undoubtedly, the possibility of new and more comprehensive approaches from the perspective of other disciplines is open.