Diseño y Arquitectura
URI permanente para esta comunidadhttp://repositorio.uta.edu.ec/handle/123456789/7522
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Item type:Ítem, Diseño de anteproyecto arquitectónico de un centro comunitario en San Fernando, Tungurahua, Ecuador(UNIVERSIDAD TÉCNICA DE AMBATO; FACULTAD DE DISEÑO Y ARQUITECTURA; CARRERA DE ARQUITECTURA, 2026-01-13) ;Leon Roldan Kevin Omar ;Molina Dueñas Víctor HugoUNIVERSIDAD TÉCNICA DE AMBATO; FACULTAD DE DISEÑO Y ARQUITECTURA; CARRERA DE ARQUITECTURAAt present, rural Indigenous communities are facing a series of problems and challenges that threaten the continuity of their cultural identity. This thesis develops the preliminary design for a community center in the parish of San Fernando, Ambato (Tungurahua Province), addressing issues such as identity loss, the recognition of the cultural value of local heritage, the cultural reinterpretation of the Indigenous population, and the creation of spaces that reinforce a sense of belonging. The parish of San Fernando is marked by significant rural-to-urban migration, the erosion of local culture, and a scarcity of cultural dissemination spaces. These conditions contribute to the loss of traditional knowledge and the underutilization of the potential for cultural, natural, and community-based tourism. This qualitative research is framed within the paradigm proposed by Leon Krier. First, a diagnostic study of cultural assets is conducted to understand how identity can be translated into architectural space. Second, insights from experts, social actors, and architectural precedents are analyzed to develop a deeper understanding of how cultural spaces are shaped and reinterpreted. Finally, the architectural proposal is formulated. As a result, a preliminary design for the community center is presented, envisioning Indigenous culture expressed through spaces of shared knowledge, exhibition, and cultural tourism that strengthen identity preservation. The relevance of this work lies in its cultural investigation of an Indigenous community, focusing on the interpretation and safeguarding of its intangible heritage. Traditional dress currently in decline reflects a weakening of intergenerational knowledge and a lack of suitable spaces where the community can reinterpret, preserve, and showcase this cultural expression.Item type:Ítem, El diseño de exposiciones temporales infantiles al interior de los centros culturales de la cuidad de Ambato(Universidad Técnica de Ambato. Facultad de Diseño y Arquitectura. Carrera de Diseño de Espacios Arquitectónicos., 2021-02-15) ;Toro Paca, María BelenLópez Ulloa, Fabian SantiagoFor the Museums and Cultural Centers in the city of Ambato, the realization of exhibitions is something that is done permanently, hosting the same works for an extended period, while, from two to three times in the year, short term exhibitions are held, the same ones that attract the attention of the citizens. In order not only to house works inside but also to provide relevance to these cultural sites, the importance of architectural design inside these cultural heritage centers comes out. The present research project aims to find out what happens inside these places, and how it is it's current to finally propose a new use of its spaces through temporary exhibitions for children, in this way the cultural centers will be providing a more dynamic service to society by reviving the interest of citizens to their property heritage and most importantly rescuing the culture, history, and memory of the city.Item type:Ítem, Diseño interior del área de interpretación patrimonial del Centro Cultural de Artes del Gobierno Autónomo Descentralizado Municipal de Pujilí destinada a fomentar el valor del danzante.(Universidad Técnica de Ambato, 2016) ;Amores Carvajal, María BelénJara, OswaldoThe Danzante Pujilense´s history is well known for being the main character of Corpus Cristi festival, on June, a popular celebration widely know national and internationally, letting behind the origins of the festival that preserves unique traditions. The main objective is to develop the inner design of the Danzante´s interpretation area located on the Cultural Centre on the Gobierno Autónomo Descentralizado Municipal, in order to promote its development and increase the tourism on Pujilí through the generation of specific places destined to promote cultural activities related to it. This project has a qualitative approach, analyzing the inner environments on the place as well as the elements and main characteristics required to obtain comfortable and descriptive areas related with Pujili´s culture. The main results obtained with this investigation is that the inhabitants of Pujilí town do not know the Danzante Pujilí´s history as well of the importance of this Historical patrimony. The population of Pujilí town and Cotopaxi´s province is on its majority catholics, so that motivates that they visited mostly some other places like the Isinche´s sanctuary and Quilotoa´s lake, located on Zumbahua Parrish, so that concludes that the population prefers places with religious and cultural identity. In relation to these facts, it is necessary to get adequate environments to highlight the cultural icons as the Danzante Pujilense and its interpretation Centre, which involves social, economic and cultural ambits to contribute to the development of the city and province, making of this place that all the tourist should visit.
